Updated: Aug 29
In an article recently published in the Social History of Alcohol and Drugs, Joseph Spillane has given me some clues on how to proceed in my own work. “Inside the Fantastic Lodge” is Spillane’s consideration of the networks, identity-making and social limitations revealed in Marilyn Bishop’s narration of her days as a young white heroin user in 1950s Chicago. The Fantastic Lodge (1961) is a book-length transcript of interviews with Bishop conducted by sociologist Howard Becker. As Spillane explains, The Fantastic Lodge was a product of the mid-century rise of a sociological approach “that took the individual as the unit of analysis.”
Spillane’s reading of Bishop’s life story construes her as the center of her own universe of social networks. By describing her social world, including the actors in it and outside intrusions upon it, he creates a piece of empirical evidence that is at once specific and universal. Historians, he writes, should continue to do this type of work in spite of a historiographic current that seems to be flowing in a different direction.
Although I have always thought of my research style as inductive—proceeding from my searching and reading rather than from my big idea—I have not really attempted to closely think and write about a single drug user. But now I have a subject whose story seems to require such an approach.
He is Keeny Terán, an adolescent Mexican-American boxer and heroin user from the Boyle Heights neighborhood of Los Angeles. After his meteoric rise on the amateur boxing circuit in the early 1950s (Bishop’s era of heroin use), he became a target of the news media and the police over a drug habit that he described as essential to enduring the pain of boxing, but that had originally sprung from social networks in his neighborhood and possibly at the gym where he trained.
Keeny Terán, seated leftmost in this April 1951 Los Angeles Times photograph. What insights could boxing’s social networks hold about his heroin use?
Once targeted, Terán endured a string of public humiliations. They began when he was at the height of his notoriety: recently married, a new father, and seeking to earn a greater share of boxing’s receipts. He was arrested in the locker room after winning a fight, then outed as a supposed narcotics informant (which he denied), prompting death threats against him. Soon afterward he suddenly called off a big match and disappeared, ostensibly to a rehab center. Upon his return, a reporter double-crossed him by revealing his addiction treatment in a splashy story about his “big comeback.” Soon he was again arrested and charged with selling heroin, receiving a five-year prison sentence; about a year into serving it, the media furtively covered his divorce. The moment he hit the streets on parole, the cops marked and hounded him. He did more time, wrote a memoir that might have been lost, and ended up on methadone, which he hated.
Many pieces of Terán’s story are missing and might never be recovered. In pursuit of facts and events, I have failed so far to ask questions about his relationship networks and his internal life, about struggles related to his family and his neighborhood and to the overlapping social worlds of boxing and heroin. More importantly, I have not yet even described these things.
The process of “describing to know” (as I’m calling it) seems to spring rather naturally from a sociological perspective. I noticed this fact last year when Ceci Burtis, a senior sociology major who conducted some research under my hapless guidance, submitted to me a write-up describing similarities and differences between two celebrity drug users. Her skilled process of simply describing aspects of the lives of these two women—Billie Holiday and Judy Garland—was simple and effective. For example, she gave me this comparison chart as a note: Judy GarlandBillie Holiday1922-19691915-1959singer/actressjazz singerwhiteblackpills: amphetamines & barbituatesheroin and marijuanaalcohol and cigarettesalcohol and barbituatesmiddle class familypovertynever arrestedarrested at least three timescirrhosis of the liver, depression, hepatitiscirrhosis of the liver, heart and liver problemsdied age 47died age 44self-administered overdosegeneral organ failure due to chronic drug useactress at 12 years oldprostitute at 13 years oldrehab/“rest cure” four times, numerous hospitalizationsrehab three times
Marilyn, Keeny, Judy, Billie. One aspect shared by three of these lives is something Spillane describes as the “most salient” of the outside forces that can disrupt social networks and impose costs unevenly on members of those networks: the criminal justice system. Garland perhaps escaped entanglement with the law, but another disruptive force in all these cases (except personally for Marilyn, though it touched her indirectly) was the attention of the news media.
In pursuit of better history, I hope that I can begin to practice a sociological approach to writing about drug users. I also hope you will enjoy reading Ceci’s write-up about Holiday and Garland in the post that follows this one.